Scrollers - where are you?

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Chris Knight

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Not a single scroller has yet entered for the competition and I can't believe that a group large enough for its own board can't field at least a couple of entrants (your specialist friends the turners have :wink:)

If you don't have anything of your own you want to enter, why not consider a collaborative effort, maybe with another scroller or perhaps with a furniture maker whose project would benefit from some scrollwork (spice racks, the galleries on period pieces, fretwork valances, chair splats etc. spring to mind).
 
This raises an interesting point about how scrolling and decorative woodwork relates to other forms of woodwork. In the past, it was very closely associated with embellishing furniture that had been produced from inferior grades of wood. Marquetry in particular was used to good effect in this respect.

Those days have not passed altogether; a quick search on the internet will quickly reveal furniture such as these:

Wardrobes.jpg


sarasmithcloset.jpg


fw145simonds.jpg


There was also an article a while back in SSW&C which featured a memorable intarsia door panel. If I can find it, I'll post a picture.

Scrollers often use techniques that other woodworkers might find useful. These techniques need not involve marquetry, inlay or intarsia - they can be as simple as producing some shaped detail or 'gingerbread' on an otherwise bland piece.

As a scroller, I tend to concentrate mostly on scroll saw techniques when I'm designing woodwork. So when I saw details of the competition my immediate thought was to reject the notion of entering it because I don't make furniture. The competition is definitely geared towards furniture production and it would take either a very confident or an arrogant decorative woodworker to enter it in their own right.

Yet the whole nature of the competition is about teamwork, about bringing complementary skills together which might normally remain estranged. Personally, I'm ethically opposed to the notion of competition, believing that collaboration is usually much more productive. Here is an opportunity for me to work in conjunction with someone else and demonstrate this philosophy in action; I find the prospect appealing.

Indeed, some of you may be aware that I've agreed to attend the 'mini-bash' for turners in July. I'm not trying to lure turners away from their beloved lathes; instead I hope that we'll be able to explore woodwork techniques that both scrollers and turners will find mutually advantageous and which might not have occurred to them before or might have seemed beyond their reach.

If anyone who is participating in the competition would like to incorporate something decorative in their project which they might find a little daunting, I hope they'll feel free to explore the possibilities here. A scroller might reply, "I can't plane a piece of timber to save my life, but if you want some contrasting woods cut as a feature, I can certainly do that". Similarly, a scroller (or marquetarian) might be thinking, "Wouldn't it be nice to have this motif used on a drawer front?" but be hesitant to take it further because of a lack of confidence in their general woodwork techniques. This is an opportunity for such people to let others know what they can offer.

I'm something of a beginner when it comes to applied decorative woodwork, having mostly concentrated on knife-cut marquetry pictures in the past and, more recently, segmented designs. However, since agreeing to participate in the turning mini-bash I've found that my skills have applications beyond these specialties. I'm branching out into techniques that I've been aware of and confident I could pursue if I had to, but never previously had a reason to do so. This competition could see some very exciting collaborations between woodwork disciplines but we need to start thinking about what we all have to offer each other.

Gill
 
I would have entered but for the fact that the competition is running during the cricket season.

That rules me out, as my scrolling and turning activities almost completely confined from the end of September through to the start of April!

Regards

Gary
 
Gill,

I sympathise with your thoughts on much of this. As I see it the "design brief" for many decorative pieces of woodwork is essentially that it must look great/cool (however you might choose to describe it). Different folks like different things, one persons idea of great art might be viewed as complete tripe by somebody else. It's only about a century since that European fellow took a urinal and displayed it as a piece of art (Ernst?).

Perhaps I could just take a rough looking blank and submit it because I think that it is adequately decorative, although it would probably not score well for execution!

I do a bit of furniture making and turning, but feel that my chances of completing anything within the (frankly miniscule) time period are maximised by doing a bit of turning. However, the possibility of engaging with another woodworker, with interests quite different to my own is quite an interesting one. I have also gained something of an interest in "post lathe decoration" of some of my turned stuff, and wonder if this might be a good area for some collaboration with somebody else.

If you are interested in a (not too ambitious) collaborative something (as yet unspecified) then let me know.

Cheers,

Dod
 
Hi Dod

As you might have seen from my post on the competition entrants thread, I'm already committed, but thanks for the thought. If you don't mind a long range collaboration, I know of an accomplished overseas scroller who might be interested in working with you. I'll try to sort things out by private message.

In the meantime, perhaps there is another scroller here who would like to discuss a joint entry with Dod? Come on, folks, don't be shy :) .

Gill
 
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