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Bodrighy

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This pot is made of spalted sycamore and stands approx 5" tall
spalted sycamore.jpg
spalted sycamore 2.jpg


This is made from green oak, wire brushed and oiled with a walnut finial
brushed oak pot.jpg
brushed oak pot 2.jpg
 

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  • brushed oak pot.jpg
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  • spalted sycamore 2.jpg
    spalted sycamore 2.jpg
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  • spalted sycamore.jpg
    spalted sycamore.jpg
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Pete , love the pots and what is more important is that you are happy at what you are doing . It's a win win , :lol: :lol:
 
Most of the time I enjoy it Boysie, can get a bit boring doing some of the repetitive stuff, haven't got Richard F's copying skills so takes a bit more concentration LOL.

Pete
 
Hi Pete good looking hollow forms well done, one comment, I know you did not ask for c&c but look carefully if the finial really works Regards Roger C
 
Keep popping back to these two Pete, could not get my head round what my reaction was all about.
Out of the two I prefer the Sycamore, well formed contour including the lip bead, no sanding flats that I can see, just wondering if a flatter wider collar (a la George) would give an impression of a thinner wall on the vessel.

Guess the Oak was the one that 'was not going to beat you' on the hard work front, slight impression that the wood blank dictated the shape with that one I'm afraid, and the finial followed the body theme.


Chas in 'Grumpy old man mode' this morning.
 
Thanks for the replies folks. You grump away Chas, lol. I love eastern ceramics and pottery and these pots are something that I do in between commissions trying to emulate that perfect curve that is so simple at first glance but quite hard to get without either getting those flat sections or making the curve somehow 'wrong.' The oak one was turned from green oak and has moved a little but the intention was to try and get it to look as if it was floating hence the curve in at the bottom.
Thanks for the critiques, not asked for but welcome as they help me to see things differently.

Pete
 
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