ian_in_the_midlands
Established Member
Recently put together the MPCNC (Mainly printed CNC machine). My first dabble into CNC for over 30 years. Still work in progress, but I have been surprised at what I have been able to do with it so far:
Please would you add some information about materials, roughing and finishing passes and software?Recently put together the MPCNC (Mainly printed CNC machine). My first dabble into CNC for over 30 years. Still work in progress, but I have been surprised at what I have been able to do with it so far:
Hello Jepho.Please would you add some information about materials, roughing and finishing passes and software?
I have attached an image of a piece of maple 200 x 200 x 25m which was carved using Carveco Maker. Roughed (0.5mm steps) with 6.25mm two flute, straight cut, uncoated carbide endmill, Finishing pass cut with a circular pathyh from the inside out and utillised an uncoated two flute ball endmill 0.25mm in diameter. Total cut time around 2 hours. Wood finished with a creme od beeswax and a small amount of walnut oil. No sanding was applied to this piece.
EDIT: To add information.
Understood.Hello Jepho.
I really am only just starting off so my settings are probably way off optimal. They also change with each carving at the moment. For this reason I won't detail them as I will probably cause people more problems than I resolve.
Thanks for the interesting link.I am using Estlcam and following the V1 Engineering documentation on the MPCNC: Milling Basics - V1 Engineering Documentation.
I have only been cutting wood with a CNC machine for just over 3 years so I still have an enormous amount to learn. Initially, I was quite concerned to understand upcut, downcut and compression bits. With very small details, I have found that up or down cut makes very little difference to the final workpiece and compression bits are unhelpfull if there is insufficient room for the downcut section of the cutter to do its thing. My finishing pass is always done radially from the centre outwards.In general I am cutting at 10mm/second. Roughing with 6mm ball nose spiral upcut, 1mm depth of cut. Finish with .5mm ball nose spiral upcut.
Yes, you are right... going through my records, I see that I had used ash rather than maple. I have also used cherry and walnut quite often. Walnut (see maze) is nice and takes a nice finish. It makes chips in a very predictable way too. Cherry is nice to machine and can hold a lovely finish. I think overall, I like maple because of its predictability when m and the fact that it can support very fine details. My absolute favourite wood to machine and hand finish is olive wood.I have found best results with cherry and walnut. I found the finish with ash to be a bit 'furry'. It looks like your turtle is in ash and the finish is much better than mine.
What is the logic behind pre-finishing?Gift for a friend, filter paper holder made from 4mm walnut mdf, display box made from 6mm walnut mdf with 3mm acrylic sliding door.
The display box was prefinished with polycrylic and the fitler holder was prefinished with lacquer.
Wanted to try out prefinishing my laser cut projects to make things quicker and easier. I prefer lacquer so far.
View attachment 171792
I'm toying with the idea of selling some products further down the line, so I wanted to see if I could optimise my workflow a bit to speed things up.What is the logic behind pre-finishing?
That’s a very clean print.Hi guys,
I've just got/getting into 3D printing and currently creating profiles for the various filaments that I'll probably be using.
My printer is a Bambu Lab P1S which was working fine with basic PLA until I tried printing with PLA Glossy and that's when I learnt to use brims.
It's great fun but it's a steep learning curve to get to grips with all the available settings in Bambu Studio.
Anyway I'm just introducing myself.
This is nothing special but it's the last thing I printed.
Thank you, but I'm not sure how much of it is down to me or the printer lol.That’s a very clean print.
Bamboo do seem to give good results but I’m sure there is quite a bit of operator knowledge involved.Thank you, but I'm not sure how much of it is down to me or the printer lol.
Dave.
Just an update. Been using all three ball-valves extensively and still no clogging.These look cool, what's the advantage of using a ball valve over the more traditional blast gate?
Very nice! I had not realised that a giraffe could look so smooth.My new 3D printer arrived yesterday. Late Christmas pressie to my self.
I had a few more pressing jobs, but got my first print this evening.
Well you have to start somewhere.
View attachment 173334
Nice solutionView attachment 173528 View attachment 173529
I've been designing a series of French cleat workshop storage solutions. All 3mm mdf/ply based, the same width, with their own French cleat. This allows me to stack them on each other when appropriate. It seems to be solving the main grip I have with French cleat storage, in that it's very flexible in terms of where you put things, but it's not very efficient if you can only have 1 "layer" on the wall.
hope thats strong glue holding them together!View attachment 173528 View attachment 173529
I've been designing a series of French cleat workshop storage solutions. All 3mm mdf/ply based, the same width, with their own French cleat. This allows me to stack them on each other when appropriate. It seems to be solving the main grip I have with French cleat storage, in that it's very flexible in terms of where you put things, but it's not very efficient if you can only have 1 "layer" on the wall.
how so? It's just ca. For the most part it's the tabs and slots holding it together, the glue mostly just keeps the mechanical components in place.hope thats strong glue holding them together!
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