The ribs start off like this. I try to chop most of the waste off with an axe or froe and use the thick edge of the riven piece as the part where the moulding is going to be cut.
Cut them to length and shape the top edge.
Cut the waste on the inside curve into blocks with a saw and chop it out.
Plane it flat. The plane doesn't normally live like that, as I prefer to have it standing with the iron on the bench.
I don't fix the piece down whilst planing as I use the bench top to gauge for flatness. If it's skidding around, it's not planed flat.
Mark it out with the templet on both sides and chop out the double curvature with a firmer chisel down to the line.
Strike a line for the edge of the moulding with the second templet and draw a centre line along the inside of the radius. This line has to remain and I'll use it as a gauge line for the central bead of the moulding. I'll refine the radius later when I do quality control before finishing the moulding.
Then I address the top of the tennon to make it central before I cut it down to thickness, about 1/4".
There are thirty ribs and I've made thirty two for luck. There are also four longer ribs which join the springers together at the edges of the vault.
I'll now start to cut out the 1/2" boards for the cusping and sub cusping to relieve the boredom of all the rebating, otherwise I'll lose the will to live.
Cut them to length and shape the top edge.
Cut the waste on the inside curve into blocks with a saw and chop it out.
Plane it flat. The plane doesn't normally live like that, as I prefer to have it standing with the iron on the bench.
I don't fix the piece down whilst planing as I use the bench top to gauge for flatness. If it's skidding around, it's not planed flat.
Mark it out with the templet on both sides and chop out the double curvature with a firmer chisel down to the line.
Strike a line for the edge of the moulding with the second templet and draw a centre line along the inside of the radius. This line has to remain and I'll use it as a gauge line for the central bead of the moulding. I'll refine the radius later when I do quality control before finishing the moulding.
Then I address the top of the tennon to make it central before I cut it down to thickness, about 1/4".
There are thirty ribs and I've made thirty two for luck. There are also four longer ribs which join the springers together at the edges of the vault.
I'll now start to cut out the 1/2" boards for the cusping and sub cusping to relieve the boredom of all the rebating, otherwise I'll lose the will to live.